This somewhat twisted Chopin arrangement/tango/twelve-bar blues came to life as part of the final Low Ding Zone concert series. We’re pleased to offer our seriously boiled-down eight-bell arrangement of this work. Red rose is optional, of course.
Tag: 8-bell
Starting in 2012, we (Larry and Carla Sue) developed a large repertoire of music for eight handbells which we perform as four-in-hand duets. These pieces ranged from fairly simple to maniacally difficult, and eventually led to the creation of their “Surprisingly Easy”™ eight-bell arrangements so that there would be more options for the ringing world at large.
As eight-bell repertoire works well with a two-in-hand quartet (two bells each) or a four-in-hand duo, or with a trio where the bells are divided 4-2-2 or 3-3-2. We've even seen one instance of playing eight-bell music with eight ringers with one bell apiece, a la Sacred Harp.
Funeral Tango – Eight handbells
Apocryphal story: Chopin, bored of hanging out with George Sand in Europe, decided to take a vacation to the then-young United States of America. He visited the Midwest, notably St. Louis, MO, and after that took a side trip to South America… and so we have the Funeral Tango. It’s all of the following: Classic …
Oct 26
Hills of the North, Rejoice – for eight handbells and piano
Hills of the North, Rejoice is usually sung in the United Kingdom as an Advent song. Here’s our arrangement for eight handbells and piano. Hills of the North, rejoice, river and mountain-spring, hark to the advent voice; valley and lowland, sing. Christ comes in righteousness and love, He brings salvation from above. Isles of the …
Hills of the North, Rejoice (LITTLE CORNARD) (eight handbells and piano) – Eight handbells
Hills of the North, Rejoice is usually sung in the United Kingdom as an Advent song. Here’s our arrangement for eight handbells and piano. Hills of the North, rejoice, river and mountain-spring, hark to the advent voice; valley and lowland, sing. Christ comes in righteousness and love, He brings salvation from above. Isles of the …
Oct 19
For All the Saints (SINE NOMINE) – for eight handbells and piano
Ralph Vaughan Williams wrote the music for this hymn in 1906. Strangely (or not!), the hymn tune is SINE NOMINE, which is Latin for “without name”. Whether or not it actually has a name, therefore, is for the philosophers to sort out… but the hymn is probably most often used on All Saints’ Day when …
For All the Saints (SINE NOMINE) (eight handbells and piano)
Ralph Vaughan Williams wrote the music for this hymn in 1906. Strangely (or not!), the hymn tune is SINE NOMINE, which is Latin for “without name”. Whether or not it actually has a name, therefore, is for the philosophers to sort out… but the hymn is probably most often used on All Saints’ Day when …
Oct 15
Now Thank We All Our God (NUN DANKET) – for eight handbells
In the U.S., Now Thank We All Our God is one of the hymns that makes an annual appearance in November (because of the national Thanksgiving holiday, of course)… but it really can (should?) be played all year round! Here’s a new eight-handbell arrangement for you to play!
Now Thank We All Our God (NUN DANKET) – Eight handbells
In the U.S., Now Thank We All Our God is one of the hymns that makes an annual appearance in November (because of the national Thanksgiving holiday, of course)… but it really can (should?) be played all year round! “Now thank we all our God with heart and hands and voices, Who wondrous things has …
Oct 07
“Dual-Range”™ Eight-Bell Music!
We’ve been hearing about how some ringers out there have wondered why our eight-bell music was written in the range G5-G6. The main issue that came up was that playing those pieces as a quartet would result in “nontraditional” ringing assignments (say, G5/A5 rather than A5/B5). Why not, say, write using F5-F6? The reason is …
About Our Dual-Range Eight-Bell Scores
“Dual-Range”™ PDFs: Almost all of our music for eight unaccompanied handbells comes as a “dual-range”™ PDF. Each PDF contains “G5-based” and “F5-based” versions of the music. The G5-based version is first; it’s the original version of the score, with notes almost always in the range G5-G6. This is the version we record in the demonstration …