Tag: AGEHR Level 2

On Jordan’s Bank the Baptist’s Cry (PUER NOBIS) (Handbells, 2 octaves, Level 2+)

On Jordan’s Bank the Baptist’s Cry is sung to the 15th century hymn tune PUER NOBIS. It’s traditionally sung for Advent. Our two-octave arrangement of this hymn is published under the alternate Easter title That Easter Day with Joy was Bright. On Jordan’s bank the Baptist’s cry announces that the Lord is nigh. Awake and …

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That Easter Day with Joy was Bright (Handbells, 2 octaves, Level 2+)

That Easter Day with Joy was Bright is sung to the 15th century hymn tune PUER NOBIS. It’s traditionally sung for Easter, but can be played for Advent asOn Jordan’s Bank the Baptist’s Cry. Our new arrangement for two octaves will work well with your ensemble, because it’s a very accessible Level 2+. That Easter …

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That Easter Day with Joy was Bright (PUER NOBIS) (Handbells, 2 octaves, Level 2+)

That Easter Day with Joy was Bright is sung to the 15th century hymn tune PUER NOBIS. It’s traditionally sung for Easter, but can be played for Advent asOn Jordan’s Bank the Baptist’s Cry. That Easter day with joy was bright:
The sun shone out with fairer light
When, to their longing eyes restored,
The_apostles saw their risen …

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O Little Town of Bethlehem (FOREST GREEN) (Handbells, 2 octaves, Level 2+)

The Christmas carol O Little Town of Bethlehem reflects the quiet joy of the Savior’s birth. This arrangement is of the hymn tune FOREST GREEN, the melody more often used for Phillip Brooks’ lyric. O little town of Bethlehem, how still we see thee lie! Above thy deep and dreamless sleep the silent stars go …

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In the Bleak Midwinter (CRANHAM) (Handbells, 2 octaves, plus handchimes, 2 octaves, Level 2)

The poem often comes first… Christina Rosetti wrote the words for Scribner’s Monthly in 1872, and then a few years later (1906, to be precise), Gustav Holst set her verse to music. The result: In the Bleak Midwinter, one of the most reflective and well-loved of all Christmas songs. We have a new Level 2 …

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In the Bleak Midwinter (CRANHAM) (Handbells, 2 octaves, plus handchimes, 2 octaves, Level 2)

The poem often comes first… Christina Rosetti wrote the words for Scribner’s Monthly in 1872, and then a few years later (1906, to be precise), Gustav Holst set her verse to music. The result: In the Bleak Midwinter, one of the most reflective and well-loved of all Christmas songs. In the bleak midwinter, frosty wind …

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O Little Town of Bethlehem (FOREST GREEN) (Handbells, 2 octaves, Level 2+)

The Christmas carol O Little Town of Bethlehem reflects the quiet joy of the Savior’s birth. This arrangement is of the hymn tune FOREST GREEN, the melody more often used for Phillip Brooks’ lyric. O little town of Bethlehem, how still we see thee lie! Above thy deep and dreamless sleep the silent stars go …

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Still, Still, Still (Handbells, 2 octaves, Level 2)

The Christmas lullaby Still, Still, Still reminds us that the Christ Child sleeps, and that He sleeps under the watchful eyes of the angels of heaven. Our Level 2 arrangement for two octaves fits a smaller group if you find yourself short on Christmas Eve ringers, and can be prepared relatively quickly. Still, still, still, …

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Nocturne (Handbells, 3 or 5 octaves, plus handchimes, 3 octaves, Level 2+)

Nocturne is an original work for three or five octaves of handbells (and three octaves of handchimes). I composed it as an entry in a composition contest, with the conditions being that it had to be Level 2 or 3, and be less than 4’30” in duration. I think you’ll like – or maybe love! …

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Nocturne (Handbells, 3 or 5 octaves, plus handchimes, 3 octaves, Level 2+)

Nocturne is an original work for three or five octaves of handbells (and three octaves of handchimes). I composed it as an entry in a composition contest, with the conditions being that it had to be Level 2 or 3, and be less than 4’30” in duration. I think you’ll like – or maybe love! …

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