Tag: classical

Ukrainian Bell Carol (Handbells, 5-7 octaves, Level 4)

Ukrainian Bell Carol was first known as “Schedryk”/«Щедрик» when Mykola Leontovych wrote it in 1916. And then… in 1941, Peter Wilhousky wrote the lyrics entitled “Carol of the Bells”, the title under which credit is usually given in the United States. We present our arrangement of Leontovych’s composition under its “more original” title. We think …

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Ukrainian Bell Carol (Handbells, 5-7 octaves, Level 4)

Ukrainian Bell Carol was first known as “Schedryk”/«Щедрик» when Mykola Leontovych wrote it in 1916. And then… in 1941, Peter Wilhousky wrote the lyrics entitled “Carol of the Bells”, the title under which credit is usually given in the United States. We present our arrangement of Leontovych’s composition under its “more original” title. We think …

Continue reading

Cavatina (Handbells, 3 to 5 octaves, Level 3)

Stanley Myers’ Cavatina, brings a thoughtful air to the listener. Our arrangement for three to five octaves of handbells imitates the openness and simplicity of the original classical guitar score. Your ensemble will find it quite accessible in terms of the written notes, but will also experience tremendous scope for development of expression as they …

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Cavatina (Handbells, 3 or 5 octaves, Level 3)

Stanley Myers’ Cavatina, brings a thoughtful air to the listener. Our arrangement for three or five octaves of handbells imitates the openness and simplicity of the original classical guitar score. Your ensemble will find it quite accessible in terms of the written notes, but will also experience tremendous scope for development of expression as they …

Continue reading

Nocturne (Handbells, 3 or 5 octaves, plus handchimes, 3 octaves, Level 2+)

Nocturne is an original work for three or five octaves of handbells (and three octaves of handchimes). I composed it as an entry in a composition contest, with the conditions being that it had to be Level 2 or 3, and be less than 4’30” in duration. I think you’ll like – or maybe love! …

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Nocturne (Handbells, 3 or 5 octaves, plus handchimes, 3 octaves, Level 2+)

Nocturne is an original work for three or five octaves of handbells (and three octaves of handchimes). I composed it as an entry in a composition contest, with the conditions being that it had to be Level 2 or 3, and be less than 4’30” in duration. I think you’ll like – or maybe love! …

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Sleigh Ride (Mozart, Drei Deutsche Tänze, No. 3) – Sixteen handbells

Wolfgang Amadeus Mozart, one of the exceptional musical geniuses of all time, started composing music when he was just four years old, and has had a lasting influence ever since then. He composed Drei Deutsche Tänze (“Three German Dances”) in 1791; the third dance in this suite bears the nickname “Sleigh Ride” (not to be …

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Sleigh Ride (Mozart, Drei Deutsche Tänze, No. 3) – Sixteen handbells

Wolfgang Amadeus Mozart, one of the exceptional musical geniuses of all time, started composing music when he was just four years old, and has had a lasting influence ever since then. He composed Drei Deutsche Tänze (“Three German Dances”) in 1791; the third dance in this suite bears the nickname “Sleigh Ride” (not to be …

Continue reading

Mahler Swing (Handbells, 5-8 octaves, plus handchimes, 2 octaves, Level 5)

I fell in love with Mahler’s symphonies a long time ago. They’re gigantic works which stretch the limits (so far…) of how musical expression can be built. As of the twentieth century, they represent the pinnacle of orchestral composing. Mahler’s first symphony is about an hour in length (around three times the length of Mozart’s …

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Mahler Swing (Handbells, 5-8 octaves, plus handchimes, 2 octaves, Level 5)

I fell in love with Mahler’s symphonies a long time ago. They’re gigantic works which stretch the limits (so far…) of how musical expression can be built. As of the twentieth century, they represent the pinnacle of orchestral composing. Mahler’s first symphony is about an hour in length (around three times the length of Mozart’s …

Continue reading