Tag: handbell choir

Lo, How a Rose E’er Blooming (ES IST EIN ROS’) (Handbells, 3 octaves, Level 1)

Lo, How a Rose E’er Blooming dates back to sixteenth-century Germany. Its lyric combines the image of Jesus Christ as the Rose of Sharon and the Root of Jesse, plus the traditional impression of celebrating Christmas in winter. It was translated to English by Theodore Baker in the nineteenth century. Our arrangement for three octaves …

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Lo, How a Rose E’er Blooming (ES IST EIN ROS’) (Handbells, 3 octaves, Level 1)

Lo, How a Rose E’er Blooming dates back to sixteenth-century Germany. Its lyric combines the image of Jesus Christ as the Rose of Sharon and the Root of Jesse, plus the traditional impression of celebrating Christmas in winter. It was translated to English by Theodore Baker in the nineteenth century. Lo, how a Rose e’er …

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Angels We Have Heard on High (GLORIA) (Handbells, 3 octaves, Level 2-)

Angels We Have Heard on High is based on the nineteenth-century French song Les Anges dans nos Campagnes and is traditionally sung to the hymn tune GLORIA. The lyric tells us of how the angels came from heaven to celebrate the birth of the Christ Child. Our three-octave handbell arrangement is a very accessible Level …

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Smiles (Handbells, 5-8 octaves, plus handchimes, 2 octaves, Level 5)(Bay View Week of Handbells 2023)

The song Smiles has a long and wonderful history. T. Will Callahan wrote the lyrics in a Bay View cottage near the end of World War I, and it went on to be a tremendous hit, selling about 5,000,000 print copies (before the existence of public radio, or television, or the internet). The connection to …

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Escape from No-Note Island, for five to seven octaves of handbells, Level 5

Here’s the story behind this new original handbell composition, Escape from No-Note Island: Handbell compositions are usually written for note ranges that constitute complete octaves of bells. Having this agreed-on convention between manufacturers, composers, publishers, and performers makes it easier to maintain consistency within the ringing art. For instance, “five octaves” refers to the range …

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Escape from No-Note Island (Handbells, 5 to 7 octaves, Level 5)

Handbell compositions are usually written for note ranges that constitute complete octaves of bells. Having this agreed-on convention between manufacturers, composers, publishers, and performers makes it easier to maintain consistency within the ringing art. For instance, “five octaves” refers to the range C3-C8. Because of this, we start with a common knowledge about the music …

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Infant Holy, Infant Lowly (Handbells, 3 octaves, Level 2)

Every Christmas bring the wonder of the Christ Child in the manger – it’s the mystery of God coming to live among us on earth. Here’s our new arrangement of Infant Holy, Infant Lowly for three octaves of handbells. It also works really well on chimes! Infant holy, infant lowly, for his bed a cattle …

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Infant Holy, Infant Lowly (Handbells, 3 octaves, Level 2)

Every Christmas bring the wonder of the Christ Child in the manger – it’s the mystery of God coming to live among us on earth. Infant holy, infant lowly, for his bed a cattle stall; oxen lowing, little knowing Christ the babe is Lord of all. Swift are winging angels singing, noels ringing, tidings bringing: …

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Jingle Bells (Handbells, 3 octaves, Level 3-)

James Murray wrote Jingle Bells in 1857. We understand that it actually was a Thanksgiving song for a children’s play at his church… but history has made it into a Christmas song. That probably makes sense since December is snowier than November in most areas (well… if you’re far north enough). Our arrangement for three …

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Jingle Bells (Handbells, 3 octaves, Level 3-)

James Murray wrote Jingle Bells in 1857. We understand that it actually was a Thanksgiving song for a children’s play at his church… but history has made it into a Christmas song. That probably makes sense since December is snowier than November in most areas (well… if you’re far north enough). Dashing through the snow …

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