The title from Joachim Neander’s German 1680 chorale, reads even more impressively in German: Lobe den Herren, den mächtigen König der Ehren. “Praise to the Lord, the Almighty” has been a church favorite for many years – after all, our very lives depend on God and His infinite power. Our new arrangement for twelve handbells …
Tag: handbells
Handbells were invented in 17-century England as a practice tool for tower bell ringers. They could then rehearse in warmer and cheerier places than belfries - to wit, the local pubs. At some point, someone noticed that it was possible to play tunes (rather than just "changes") on handbells, and so "tune ringing" began. The music available from Choraegus followed the tune ringing tradition as practiced and performed in the modern era,
Praise to the Lord, the Almighty (LOBE DEN HERREN) – Twelve handbells
The title from Joachim Neander’s German 1680 chorale, reads even more impressively in German: Lobe den Herren, den mächtigen König der Ehren. “Praise to the Lord, the Almighty” has been a church favorite for many years – after all, our very lives depend on God and His infinite power. Praise to the Lord, the Almighty, …
Oct 13
Go, Tell It on the Mountain (GO TELL IT) (Handbells, 3 octaves, Level 3-)
The birth of the Christ Child has been an occasion for great joy for centuries. Go Tell It on the Mountain gives us both the command to proclaim the coming of the Savior as well as a song by which to declare it. Our new Level 3- arrangement is for three octaves of handbells, and …
Go, Tell It on the Mountain (GO TELL IT) (Handbells, 3 octaves, Level 3-)
The birth of the Christ Child has been an occasion for great joy for centuries. Go Tell It on the Mountain gives us both the command to proclaim the coming of the Savior as well as a song by which to declare it. Go, tell it on the mountain, over the hills and everywhere; go, …
Oct 09
New, second arrangement of Good King Wenceslas for eight bells!
We’ve had an eight-bell arrangement of Good King Wenceslas for eight handbells for quite a while, and decided it was time to create a new one that was a bit easier to play. They’re both on the same web page so that you can compare them as you make a decision about which one you …
Oct 05
Angels, from the Realms of Glory (REGENT SQUARE) (Handbells, 3 octaves, Level 2)
Angels came from heaven to celebrate the birth of Christ. It’s amazing to compare how it must have been in God’s glorious presence with the humble stable of Bethlehem. Yet they came, and they marveled! This new arrangement for three octaves of handbells is perfect if you have a relatively novice group, or if you …
Angels, from the Realms of Glory (REGENT SQUARE) (Handbells, 3 octaves, Level 2)
Angels came from heaven to celebrate the birth of Christ. It’s amazing to compare how it must have been in God’s glorious presence with the humble stable of Bethlehem. Yet they came, and they marveled! Angels from the realms of glory / Wing your flight o’er all the earth; Ye who sang creation’s story / …
Sep 30
Rise Up, Shepherd, and Follow – Twelve-Handbell Version
Rise Up, Shepherd, and Follow is an African-American Christmas spiritual. It’s about the message that drew the shepherds (well, at least one shepherd) to follow the Christmas star to find the Christ Child. The spiritual is a “call and response” song – one way it’s been done in many Black churches is to have the …
Rise Up, Shepherd, and Follow – Twelve handbells
Rise Up, Shepherd, and Follow is an African-American Christmas spiritual. It’s about the message that drew the shepherds (well, at least one shepherd) to follow the Christmas star to find the Christ Child. The spiritual is a “call and response” song – one way it’s been done in many Black churches is to have the …
Sep 26
Lo, How a Rose E’er Blooming (ES IST EIN ROS’) (Handbells, 3 octaves, Level 1)
Lo, How a Rose E’er Blooming dates back to sixteenth-century Germany. Its lyric combines the image of Jesus Christ as the Rose of Sharon and the Root of Jesse, plus the traditional impression of celebrating Christmas in winter. It was translated to English by Theodore Baker in the nineteenth century. Our arrangement for three octaves …
