The hymn tune LAUDA ANIMA was written by John Goss in 1868, and is married wonderfully with the lyric Praise, My Soul, the King of Heaven. Our arrangement of this hymn for two octaves of handbells is from the series of pieces written for the handbell choir of the Third Reformed Church of Holland, Michigan, …
Tag: hymn
Hymns are the musical substance of the traditional church. They typically have high doctrinal content with classical/choral music. Many of the older (up to the 20th century) were written with four choral parts for choirs to sing.
Modern hymnals go beyond this definition, however, because continuing history provides more and more choices of music for worship. New hymnals include more international and contemporary songs as well. This is in keeping with the definition "hymn: a religious song or poem of praise to God".
Praise, My Soul, the King of Heaven (LAUDA ANIMA) (Handbells, two octaves, Level 2+)
The hymn tune LAUDA ANIMA was written by John Goss in 1868, and is married wonderfully with the lyric Praise, My Soul, the King of Heaven. Praise, my soul, the King of heaven; to his feet your tribute bring. Ransomed, healed, restored, forgiven, evermore his praises sing. Alleluia, alleluia! Praise the everlasting King! Praise him …
Apr 04
Blessed Assurance (ASSURANCE) (Handbells, 2 octaves, Level 2+)
Blessed Assurance is one of Fanny Crosby’s all-time classic hymns. It speaks of faith, dependence, and triumph through having an absolute reliance on God and His power. Our new arrangement is for two octaves, and will be a welcome addition to your ensemble’s repertoire. Blessed assurance, Jesus is mine! O what a foretaste of glory …
Blessed Assurance (ASSURANCE) (Handbells, 2 octaves, Level 2+)
Blessed Assurance is one of Fanny Crosby’s all-time classic hymns. It speaks of faith, dependence, and triumph through having an absolute reliance on God and His power. Our arrangement is for two octaves, and will be a welcome addition to your ensemble’s repertoire. Blessed assurance, Jesus is mine! O what a foretaste of glory divine! …
Boat on Lake Tai (太湖船) (Handbells, 3 to 5 octaves, plus handchimes, 2 octaves, Level 4-)
Lake Tai is a large lake near Shanghai. It’s in a central location, so it has many commercial connections; because it’s quite shallow, it’s a peaceful place to visit. The Chinese folk song Boat on Lake Tai (太湖船) draws a picture of a peaceful scene, where a small boat glides across the water. You’ll enjoy …
Mar 22
Come Down, O Love Divine (DOWN AMPNEY) – for eight handbells and piano
Ralph Vaughan Williams’ compositions are highly regarded across the world. Come Down, O Love Divine (tune: DOWN AMPNEY) is a fine example of his work! Our arrangement for eight accompanied handbells presents this hymn thoughtfully. Come down, O Love divine; seek out this soul of mine, and visit it with Your own ardor glowing. O …
Come Down, O Love Divine (DOWN AMPNEY)(eight handbells and piano)
Come Down, O Love Divine is one of Ralph Vaughan Williams’ compositions. The lyric speaks of the believer’s need to rely on the Holy Spirit for guidance and strength through all of life. Come down, O Love divine; seek out this soul of mine, and visit it with Your own ardor glowing. O Comforter, draw …
The Day Thou Gavest, Lord, Is Ended (ST. CLEMENT) (Handbells, two octaves, Level 2+)
The Day Thou Gavest, Lord, is Ended is about eternity in the “always” rather than the “forever” sense; the lyrics are about perseverance without letup as the Church continues her work night and day. The day Thou gavest, Lord, is ended / The darkness falls at Thy behest; To Thee our morning hymns ascended / …
Kum Ba Yah (Handbells, 2 octaves, plus handchimes, 2 octaves, Level 2+)
Kum Ba Yah is an African-American spiritual, most likely dating back to the eighteenth or nineteenth century. The first known recording of it dates back to 1926, and was a pretty upbeat version of the song that, since then, has become a more prayerful meditation. The phrase “kum ba yah” is a linguistic variation of …
Mar 15
WOODLANDS (Handbells, 2 octaves, Level 2+)
The hymn tune WOODLANDS was written by Walter Greatorex in 1919. It’s a melody of grandeur and joy, and has been paired with texts such as Tell Out, My Soul and Filled with the Spirit’s Power. Our new two-octave arrangement is Level 2+, so it’s perfect if you have a smaller ensemble or need to …